Inland Empire [Blu-ray]

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The disc then closes with the new trailer advertising the Janus restoration, and the included booklet then features an interview with the filmmaker excerpted from Richard A. I should also point out that none of what I have mentioned should be taken as criticism, just as the “compromise” grade I ended up giving the presentation should be ignored: this is just how the film is always going to look to some degree thanks to the SD source, and no matter what is done it’s not going to look “reference quality. However complex or surreal David Lynch’s films get, there is usually a strong narrative thread that drives the plot forward – whether that is Naomi Watts trying to help Laura Harring’s confused amnesiac in Mulholland Drive or Bill Pullman investigating who the hell is sending creepy videotapes to his house in Lost Highway. If you open yourself up to Inland Empire’s difficulties and peculiarities, it will reward you with a unique and unforgettable cinematic experience.

Die allesentscheidende Frage scheint dabei zu sein, ob sich die Zuschauer auf das verstandene als Film einlassen wollen.

David Lynch's Ambitious and apparently final movie is a sure treat for fans of the surreal and darkly unsettling universe created by the director's earlier works, filled with trademarks and references, Inland Empire pushes the envelope even further than Eraserhead, right into the subconscious of the viewer; especially for the open-minded to this particular kind of experience. I only listened to the surround soundtrack, but I suspect the stereo one isn’t too different: the mix is very front-heavy, a fact that gets mentioned in the restoration notes found in the booklet. He also talks about the Awards “campaign” he did for Dern, which consisted of him simply sitting alongside with street with a cow, knowing the image would make its way to the internet (going “viral” before that was even a word). Again, it ends up being disappointingly brief compared to other excerpts from these recordings, but it's still a fun listen.

As the film charts a slow descent into a surrealist nightmare, the viewer seemingly has no more idea as to what’s real than the Nicki does, as different realities and timezones clash and collide through the narrative’s brazen elliptical weaves and jumps.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. LUCAS as Nikki’s husband, with supporting cast, JUSTIN THEROUX (Nikki’s co-star, Devon) and JEREMY IRONS (Kingsley Stewart), as well as an original soundtrack by David Lynch himself. This visual upgrade is worth investing, or re-investing, in alone, but this Studio Canal release also has a second disc of extras that make this a near-essential purchase for fans of the film and Lynch himself.

Das Über-Ich (Konvention) und das Es (Emotion/Trieb) finden zueinander und Inland Empire schließt anders als Lynchs andere Filme absolut versöhnlich. This isn’t a film that was shot on high end digital cameras (like Michael Mann had used on Collateral a few years earlier). David Lynch’s nightmarish vision of an actress losing her grip on reality is as striking as ever in this director-approved restoration. La imagen, en mi opinión, es muy buena aunque en ciertas páginas especializadas han criticado su calidad diciendo que no es superior a las ediciones existentes en DVD (argumentando que "Inland Empire" fue filmada en formato digital con resolución estándar).Or Lynch was just having fun with the new and inexpensive technology (he shot the film on an outmoded, five-year-old PD150 digital camera), without the Hollywood overhead.

Inland Empire" es, casi con toda probabilidad, la película de David Lynch más radical y personal del director norteamericano. Shot on DV back when it wasn’t ubiquitous, the film follows Laura Dern’s actress, Nikki Grace, reteaming with Lynch after Wild At Heart and also acting as an executive producer.Filmed over the same period Lynch was shooting material for Inland Empire, the documentary aims to provide a portrait of the filmmaker and show his working process. Yet, while it may not hit the heights of some of his previous work, Inland Empire remains a riveting and unnerving film from one of American cinema’s true auteurs; and if it ultimately remains the director’s final feature, it can still stand proud as a testament to a unique and singular cinematic talent. That really is pretty annoying, as the cinema release obviously would have displayed english subs when required. Ein Kunstgriff dessen sich Lynch nun bedient indem er mehrere Filmebenen einführt Der Film 'Inland Empire' (1) handelt von den Dreharbeiten zu "On High in Blue Tomorrows" (2), der Nikkis (Laura Dern) großer Comback werden soll.