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In the summer of 1964, a short sleeveless dress called the "discotheque dress" was briefly very popular in the United States. The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune on July 12, 1964, Playboy magazine used it in September of the same year to describe Los Angeles nightclubs. [14] In 1974, New York City's WPIX-FM premiered the first disco radio show. [52] Early disco culture in the United States [ edit ] Beta, Andy (February 2008). "Boogie Children: A new generation of DJs and producers revive the spaced-out, synthetic sound of Euro disco". Spin: 44. Archived from the original on July 16, 2011 . Retrieved August 8, 2008. Reed, John (September 19, 2007). " DVD Review: Saturday Night Fever (30th Anniversary Special Collector's Edition) ". Blogcritics.
It looks like a fantastic spring weekend for us and I hope Disco Cherry puts some light in your life as well. Until the next time…ENJOY! Album: Disco Cherry Harmonically, disco music typically contains major and minor seven chords, [ citation needed] which are found more often in jazz than pop music.Boney M. (1974–1986) was a West German Euro disco group of four West Indian singers and dancers masterminded by record producer Frank Farian. Boney M. charted worldwide with such songs as " Daddy Cool" (1976) " Ma Baker" (1977) and " Rivers Of Babylon" (1978). Another successful West German Euro disco recording act was Silver Convention (1974–1979). The German group Kraftwerk also had an influence on Euro disco. Don Henley commented on "One of These Nights"'s disco connection in the liner notes of The Very Best Of, 2003. a b "ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye", The New York Times, USA, December 10, 2002, archived from the original on November 6, 2015 , retrieved August 25, 2015
Popular Videos – Prisencolinensinainciusol – YouTube". YouTube. Archived from the original on April 10, 2017 . Retrieved April 1, 2017. a b c "It's Happy, It's Danceable and It May Rule Summer". The New York Times. May 30, 2013. Archived from the original on March 3, 2017 . Retrieved February 15, 2017. Countdown with Keith Olbermann' Complete Transcript for July 12, 2004". NBC News. July 12, 2004. Archived from the original on September 24, 2020 . Retrieved February 15, 2013. Playing favourites: Vince Aletti". Resident Advisor. Archived from the original on December 29, 2019 . Retrieved February 8, 2019.Hot Dance Club Songs – July 2, 2016". Billboard. July 2, 2016. Archived from the original on July 2, 2016 . Retrieved June 21, 2016. Powerful, bass-heavy, hi-fi sound systems were viewed as a key part of the disco club experience. "[Loft-party host David] Mancuso introduced the technologies of tweeter arrays (clusters of small loudspeakers, which emit high-end frequencies, positioned above the floor) and bass reinforcements (additional sets of subwoofers positioned at ground level) at the start of the 1970s to boost the treble and bass at opportune moments, and by the end of the decade sound engineers such as Richard Long had multiplied the effects of these innovations in venues such as the Garage." [27] By the late 1970s, most major US cities had thriving disco club scenes. The largest scenes were most notably in New York City but also in Philadelphia, San Francisco, Miami, and Washington, D.C. The scene was centered on discotheques, nightclubs and private loft parties.
Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." In Julie Malnig ed. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana and Chicago: University of Illinois Press, 2009, pp. 199–214. Online version: "Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer". Timlawrence.info. September 19, 2013. Archived from the original on October 12, 2017 . Retrieved October 27, 2017. . Shapiro 2006, pp.205–206 "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. [...] Remarkably, almost all of the important early DJs were of Italian extraction [...]. Italian Americans have played a significant role in America's dance music culture [...]. While Italian Americans mostly from Brooklyn largely created disco from scratch [...]." TSOP (The Sound of Philadelphia)" by MFSB with vocals by The Three Degrees, a wordless song written as the theme for Soul Train and a #1 hit on the Billboard Hot 100 in 1974
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Other Motown artists turned to disco as well. Diana Ross embraced the disco sound with her successful 1976 outing " Love Hangover" from her self-titled album. Her 1980 dance classics " Upside Down" and " I'm Coming Out" were written and produced by Nile Rodgers and Bernard Edwards of the group Chic. The Supremes, the group that made Ross famous, scored a handful of hits in the disco clubs without her, most notably 1976's " I'm Gonna Let My Heart Do the Walking" and, their last charted single before disbanding, 1977's "You're My Driving Wheel". Charlie, LeDuff (June 9, 1996). "Saturday Night Fever: The Life". The New York Times. Archived from the original on October 11, 2015 . Retrieved October 2, 2015.
Disco jingles also made their way into many TV commercials, including Purina's 1979 "Good Mews" cat food commercial [88] and an "IC Light" commercial by Pittsburgh's Iron City Brewing Company. Hanson, Kitty (1978) Disco Fever: The Beat, People, Places, Styles, Deejays, Groups. Signet Books. ISBN 978-0451084521. What the Funk?! How to Get That James Brown Sound". Gibson.com. Archived from the original on March 4, 2016 . Retrieved October 27, 2017.
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Cohn, Nik (April 8, 2008). "Tribal Rites of the New Saturday Night". New York. Archived from the original on September 29, 2015 . Retrieved October 2, 2015. Official Singles Chart Top 50 - 04 May 1975 - 10 May 1975". officialchart.com. Archived from the original on February 25, 2021 . Retrieved January 19, 2021. The rising popularity of disco came in tandem with developments in the role of the DJ. DJing developed from the use of multiple record turntables and DJ mixers to create a continuous, seamless mix of songs, with one song transitioning to another with no break in the music to interrupt the dancing. The resulting DJ mix differed from previous forms of dance music in the 1960s, which were oriented towards live performances by musicians. It, in turn, affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song. The development of DJing was also influenced by new turntablism techniques, such as beatmatching and scratching, a process facilitated by the introduction of new turntable technologies such as the Technics SL-1200 MK 2, first sold in 1978, which had a precise variable pitch control and a direct drive motor. DJs were often avid record collectors, who would hunt through used record stores for obscure soul records and vintage funk recordings. DJs helped to introduce rare records and new artists to club audiences. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( October 2023) ( Learn how and when to remove this template message) Donna Summer: I Feel Love" (in German). Zentrum für Populäre Kultur und Musik. May 8, 2017. Archived from the original on May 24, 2022 . Retrieved May 26, 2022.
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