Tiffen 5285B 52mm 85B Filter

Product Information

Contrast filters are important for interpreting a scene. Imagine a medium red tulip that has medium green leaves. Shooting this scene without a contrast filter won’t differentiate between the two medium tones. They’ll both be the same tonality in the final image, making it pretty boring. Similar experience with my few attempts at scanning cross processed reversal film. Contrast, yes! But colors? Totally dependant on what you do during scanning and post processing. However, if you use a green contrast filter, the red tulip will be darker than the green leaves. This allows for some interpretation of the scene by the photographer. If you want to make some of the tones lighter or darker in B&W photography, a contrast filter is your best bet.

Patron: "You're killing me, Remmy baby, you're killing me! I can't stand like this all day and these costumes are costing me plenty!" First, let me say, that now as in the past, science had been unable to manufacture a variable "RECEIVER', be it film, tape, television, pixels, etc. All color receivers manufactured to capture visual images are each color balanced for "ONE" Kelvin temperature. The one for which it was designed. Your eye automatically makes the correction; the camera does not. A filter can correct the color so the eye and the camera see the scene in the same way. World-class WRATTEN 2 Optical Filters are a must-have for photographers, cinematographers, engineers, and scientists who require analytical consistency for their realistic and creative effects/applications.There will be some differences in look when you shoot without the 85 and have the lab correct it in printing. Without proper filter correction, your blues get over-exposed (or denser on the negative) and the reds gets under-exposed (or less dense.) Visually, this will make your reds less saturated, meaning that fleshtones will lose some of their color saturation (although this can be more pleasing in some cases.) Before we discuss the categories of filters, it’s important for us to understand why a photographer would choose to use filters in the first place. Some photographers believe that a scene should be shot without being altered in any way. Other photographers feel there are valid reasons for using filters. However, some still prefer to depend on a lens hood for protection. Personally, I don’t use a protective filter unless the situation warrants it—for example, when I’m shooting in sandy or ocean environments. In Death Valley or the Oregon Dunes National Recreation Area sand is usually blowing about a foot above the land surface no matter how calm the air is. WRATTEN 2 Optical Filters provide ease of use. They are less sensitive to humidity, less prone to static cling. The new filters are easier to install and sort into optical components. Fingerprint removal is also easier. Choose with confidence. Kodachrome 40 is an A type film: ie it is balanced for 3400K Photofloods and an 85 is the correct filter. Ektachrome '52 and '44 (Super 8) are also quoted as being type A.

Green filters lighten dark green foliage and boost light green foliage. They have a more specific use and are not as commonly used as the other filters, but green filters are extremely useful for the nature photographer. Green filters may lighten the sky, so landscape photographers should take note of this when using it.

The importance of Colour Balance and Filters

Similarly, ocean environments are often characterized by sea spray that I don’t want hitting my lens.